Lucas Samaras Mirrored Room

Lucas Samaras Mirrored Room. It was one of the earliest installation artworks that encouraged viewers to enter and experience rather than passively view. Lucas samaras, mirror corner, 1990.

Lucas Samaras’ 1966 Mirrored Room is Still Mind Blowing from unshootables.com

A second mirrored room was made for exhibition at documenta 4, kassel, in 1968. Lucas samaras (american, born greece, 1936). In 1965, samaras joined pace gallery, which mounted an exhibition of his works made between 1960 to 1966, that included samaras’ immersive room no.

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While lucas samaras’s doorway is billed as a “mirrored room,” it isn’t actually a room that you can enter, as you can, say, a mirrored room installation by yayoi kusama.it is really more of, well, a doorway: © lucas samaras, courtesy pace gallery.

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A culmination of his mirrored boxes, room no. 144 × 192 × 96in.

© Lucas Samaras, Courtesy Pace Gallery.

Log in or sign up to leave a comment. 144 × 192 × 96in. The mirror on wood installation.

Before Its Creation, Samaras Had Become Well Known For A Series Of Small Sculptures Encrusted With Materials Atypical In 1960S Art, Such As Yarn, Bones, Pins, Fake Hair, Pencils, Razor Blades, And Taxidermy.

(365.8 × 487.7 × 243.8 cm). Lucas samaras, mirror corner, 1990. Installation view of lucas samaras, mirrored room, 1996.

In 1965, Samaras Joined Pace Gallery, Which Mounted An Exhibition Of His Works Made Between 1960 To 1966, That Included Samaras’ Immersive Room No.

Gift of the american contemporary art foundation, inc., leonard a. A culmination of his mirrored boxes, room no. Lucas samaras— mirrored room ever since i first saw this piece in the early 1990s, i've wanted to take a photo inside it.

A Second Mirrored Room Was Made For Exhibition At Documenta 4, Kassel, In 1968.

After spending five years on the road, “room no. Lucas samaras’s original and versatile approach to art making has had a profound impact on developments in contemporary art, creating works which have anticipated dominant trends in painting, sculpture and photography. Photograph courtesy of the pace gallery, new york

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He went on to study art history at columbia university under the famous art critic and theorist meyer schapiro. The facing reflective surface initiates a chain of reflections, where the unmarked space of the cube becomes a site for viewers to experience their own visage ad infinitum. Lucas samaras' doorway is a cube with two open sides and a solid cube protruding from the floor at its center.